Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Nar one vessel each in a wonderful mood in bamn togs the if tie of skeppsbyggare ocb am driving

ID: 49721

unknow artist Nar one vessel each in a wonderful mood in bamn togs the if tie of skeppsbyggare ocb am driving
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unknow artist Nar one vessel each in a wonderful mood in bamn togs the if tie of skeppsbyggare ocb am driving


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unknow artist

  Related Paintings of unknow artist :. | Flower Garden | Still life with grapes, sausages, cucumber, bread and a bird | Arab or Arabic people and life. Orientalism oil paintings 337 | Arab or Arabic people and life. Orientalism oil paintings 534 | Still life floral, all kinds of reality flowers oil painting 163 |
Related Artists:
DUMOUSTIER, Pierre
French painter (c. 1540 - after 1600)
Albert Dubois-Pillet
French, 1846-1890.was a French painter and army officer. He graduated from the École Imp??riale Militaire at Saint-Cyr in 1867. He fought the Franco-Prussian War, during which he was made prisoner by the Germans. He started painting after the war, inspired by the Neoimpressionists.
Maffei, Francesco
Italian Baroque Era Painter, 1605-1660 Italian painter. He probably trained with his father, Giacomo Maffei, before joining the workshop of the Maganza family in Vicenza. His early works, such as the Ecce homo (ex-Dianin priv. col., Padua, see Pallucchini, 1981,), were influenced by the eclectic style, between Veronese and the Bassani, of Alessandro Maganza. The St Nicholas and the Angel (1626; Vicenza, S Nicola da Tolentino), with colours like those of Veronese, yet lighter, suggests Maffei's rapid development of an independent style that is both rugged and moving. His interest in narrative, already evident in scenes from the Life of St Cajetan (Vicenza, S Stefano), was developed in the later Martyrdom of the Franciscan Minors at Nagasaki (Schio, S Francesco), which is datable to about 1630. Here, the contrast between the pale, silvery tones of the background and the darker foreground figures is derived from Tintoretto, but the exaggerated Mannerist treatment of the main figures also recalls the art of such French engravers as Jacques Bellange and Pierre Brebiette. At the same time there is also an echo of the extreme stylizations of Giovanni Demio.






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